Artists
Julian Trevelyan

Bohun Gallery represents the estate of Julian Trevelyan.
The working life of Julian Trevelyan (1910-88) spanned more than 65 years. He was a distinguished artist and printmaker producing work with a broad appeal. Julian Trevelyan had no formal art training but joined Stanley Hayter's atelier in Paris in 1931 where he worked alongside artists such as Ernst, Kokoschka, Masson, Miro and Picasso. It was in this atmosphere that he turned to Surrealism and became a founding member of the British Surrealist Group. A selection of his paintings and etchings featured in the ground-breaking 'International Surrealist Exhibition' at the New Burlington Galleries, London in 1936.

In 1937, Julian Trevelyan became involved in Tom Harrisson's Mass Observation social anthropology surveys, recording in detail the daily lives of ordinary people. This experience had a profound effect on his work.

In 1951, Julian Trevelyan married Mary Fedden, a fellow painter, from whom he became inseparable. Both artists painted a series of murals for the Festival of Britian (1950 - 51) and also travelled widely in Europe, Africa and the USA. They lived together at Durham Wharf on the banks of the River Thames - a location which became central to both of their work.

Trevelyan taught at both the Royal College of Art and the Royal College of art. Not only was he a highly influential teacher (his students included David Hockney, Ron Kitaj and Norman Ackroyd), but he was an important innovator of modern print techniques and today is increasingly regarded as the quiet driving force behind the etching revolution of the 1960s.

Julian Trevelyan was brilliantly inventive and possessed a wit and innocence of eye that could discover enchantment in the most mundane scenes.

Julian Trevelyan exhibited regularly at Bohun gallery and the gallery continues to handle his Estate. The monograph 'Picture Language' written by Julian's son, Philip Trevelyan, was launched to co-incide with a retrospective of the artist's paintings and etchings held at the gallery in 2013.

In 1998, ten years after Julian Trevelyan died, Bohun Gallery was the catalyst behind a series of major exhibitions and publications celebrating the artist's achievements. This culminated with a nationwide touring exhibition of his paintings which opened at the Royal College of Arts in Oct 1998 and showed concurrently with an exhibition of Julian's etchings at the River and Rowing Museum, Henley on Thames. These major shows were the launch for 'Julian Trevelyan: Catalogue Raisonne of Prints' by Sylvie Turner and published by Lund Humphries.

Spectator review of the 2013 Julian Trevelyan retrospective at Bohun Gallery click here

Finacial Times review of the 2013 Julian Trevelyan retrospective at Bohun Gallery click here Bohun Gallery always has a large selection of Julian Trevelyan etchings available to view in the gallery. Please call first to make an appointment to view.

Click any image to see a larger view

Amsterdam AP, 1975

Etching & aquatint
13¾ x 18¾ ins



Brentford 17/100, 1975

Lithograph (Signed)
20 x 15 ins



Canal Holidays 35/100, 1975

Lithograph (Signed)
15¼ x 20¼ ins



Car AP, 1974

Etching & aquatint (Signed)
9½ x 13¾ ins



Chiswick Mall 5/52, 1974

Etching & aquatint
13¾ x 18¾ ins



Durham Wharf AP, 1971

Etching & aquatint (Signed)
13¾ x 18¾ ins



Florence at Night (Florence Suite), c1965

Etching & aquatint (Signed) Ed. 100
13¾ x 18¾ ins



Great West Road, 1974

Mixed media & collage
19 x 23.25 ins



Interior 41/52, 1936

Etching & aquatint (Signed)
13¾ x 18¼ ins



Ischia 54/150, 1979

Etching & aquatint (Signed)
13¾ x 18¾ ins



Konya, 1974

Etching & aquatint (Signed) Ed. 52
13¾ x 18½ ins



Ponte Vecchio 35/100, 1965

Etching & aquatint
13¾ x 18¾ ins



Puri (India Suite) AP, 1968

Etching & aquatint (Signed) Ed. 75
13¾ x 18½ ins



Santa Maria Novella (Florence Suite), 81/100, 1965

Etching & aquatint (Signed) Ed. 100
13¾ x 18¾ ins



Souk, 1972

Etching & aquatint (Signed) Ed. 65
19 x 13¾ ins



Thames Ditton AP, 1969

Etching & aquatint (Signed)
13¾ x 18½ ins



Thames, 54/150, 1980

Etching & aquatint (Signed)
13¾ x 18¾ ins



The Plough 79/150, 1976

Etching & aquatint (Signed)
12½ x 18½ ins



The White Nile 106/125, 1966c

Etching & aquatint (Signed)
13¾ x 18¾ ins



Towers and Oxen 7/50, 1961

Etching & aquatint (Signed)
19¾ x 15½ ins



Triplane AP, 1974

Etching & aquatint (Signed)
9¼ x 13¾ ins



Uffizi Gallery (Florence Suite) 63/100, c1965

Etching & aquatint (Signed) Ed. 100
18¾ x 13¾ ins



Valentine 3/25, 1936

Etching
8 x 10 ins



Westminster AP, 1969

Etching & aquatint
13¾ x 18¾ ins



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